12cited source

12 cited source
MA,
· Steinruecke, December 2007, “his paintings reflect the cultural conflict”
I like this quote people it what I would also say about his painting.
Pg3

· Bisky’s attraction to Baroque ecstasy, especially in terms of his charged relationship to the body as a site both sacred and profane.
Pg. 3


· “Bisky also shows the dark sideof a youth culture drowing in a consumeris nightmare: cannibals feast on body parts and trainers, young men urinate, have sex with each other, get drunk and ransack.”
Pg.5

Stuart Bernard “artus”
· Youthful inhabitants really love themselves to the point of devouring each other
2007 page 1

I like this phrase it really show the artwork without even seeing it.

Stuart Bernard “artus”
· They nonetheless seem too invested or overcompensated to body tackle.
2007 page
What does it have to do with the body being tackle?

Stuart Bernard “artus”
· Young scalawag gets attacks by a tiny track-and-field team, the sky filled with blazing toy planes. 2007 page 1

Vilnius LITHUANIA
· I come from a world where everybody wants to control you
November 17, 2006 - January 7, 2007
I kind of understand where it is he’s coming from

Vilnius LITHUANIA
· One need to create a real place as well arranged as ours
Page 2 November 17, 2006 - January 7, 2007
Creating a place that will have all of your asset and being called your is what most people wants


Stuart Bernard
· Real space are expose illusion
Page87-80 “total care”
Exposing a real space shouldn’t have to be an illusion if it is being used.

Stuart Bernard
“Art in America”
· Threads such memories through the needle of Socialist Realism 2004 pg1
What does memories have to do with realism?

Leo koening
· Draw on his memories of a childhood under GDR rule.
2004 p. 1
His art appeals to be with his best work of art surrounds it toward the possibility of a painter

Leo koening
· He rarely paints female figures and when he does they look boyish
2004 p2that explain his lack of girl character in his painting’s
Berlineda Pierre
Mr. Gallagher
Period 6

February 26, 2009


Norbert Bisky’ work as a whole signifies a diversity of unclear memories or expectation. His painting’s tells unbelievable story that are so vivid. He uses his painting to attract people from every ethnic group. His painting’s are like earth as a whole, you know that you’re in it, but you don’t know what is to be said in order for it to come to it’s view that can be arrange to overcome whatever is there is to be. One particular painting that have so and way many diverse to it, and which also inspired me was the “Aquageddon” in 2007, he uses so little things that have meanings behind them that, the audience knows what it is but can’t find or evaluated the feeling toward the art. He himself claims the paintings were cathartic, which means it allowed him to overcome his East German upbringing. What interests me more about Norbert’s painting is that people miss the point of his work. Among of all people who can define his painting by just looking at it, he himself my mist looking at it at a different way. As most people refer to him as “the shooing stars” of German painting, I pictured it as in a different way. Though his artistic way makes him and his painting successful, he also has to be more and more active toward his painting, and giving them a deeper mean, though they have some fabulous meaning behind it. It was really interesting that you can read what is happening right now, in one’s everyday live through a painting. Not only is his work is powerful but they have inspired people from every other places.



When developing a thesis, think of big questions: How do these paintings explain a perception of the universe? How is the artist’s own life or philosophy portrayed in the paintings? How does the artist ask his or her audience to view the paintings (or the universe)?














12 cited
MA,
· Steinruecke, December 2007, “his paintings reflect the cultural conflict”

I like this quote people it what I would also say about his painting.
Pg3

· Bisky’s attraction to Baroque ecstasy, especially in terms of his charged relationship to the body as a site both sacred and profane.
Pg. 3


· “Bisky also shows the dark sideof a youth culture drowing in a consumeris nightmare: cannibals feast on body parts and trainers, young men urinate, have sex with each other, get drunk and ransack.”
Pg.5

Stuart Bernard “artus”
· Youthful inhabitants really love themselves to the point of devouring each other
2007 page 1

I like this phrase it really show the artwork without even seeing it.

Stuart Bernard “artus”
· They nonetheless seem too invested or overcompensated to body tackle.
2007 page
What does it have to do with the body being tackle?

Stuart Bernard “artus”
· Young scalawag gets attacks by a tiny track-and-field team, the sky filled with blazing toy planes. 2007 page 1

Vilnius LITHUANIA
· I come from a world where everybody wants to control you
November 17, 2006 - January 7, 2007
I kind of understand where it is he’s coming from

Vilnius LITHUANIA
· One need to create a real place as well arranged as ours
Page 2 November 17, 2006 - January 7, 2007
Creating a place that will have all of your asset and being called your is what most people wants


Stuart Bernard
· Real space are expose illusion
Page87-80 “total care”
Exposing a real space shouldn’t have to be an illusion if it is being used.

Stuart Bernard
“Art in America”
· Threads such memories through the needle of Socialist Realism 2004 pg1
What does memories have to do with realism?

Leo koening
· Draw on his memories of a childhood under GDR rule.
2004 p. 1
His art appeals to be with his best work of art surrounds it toward the possibility of a painter

Leo koening
· He rarely paints female figures and when he does they look boyish
2004 p2that explain his lack of girl character in his painting’s