February 26, 2009
Norbert Bisky’ work as a whole signifies a diversity of unclear memories or expectation. His painting’s tells unbelievable story that are so vivid. He uses his painting to attract people from every ethnic group. His painting’s are like earth as a whole, you know that you’re in it, but you don’t know what is to be said in order for it to come to it’s view that can be arrange to overcome whatever is there is to be. One particular painting that have so and way many diverse to it, and which also inspired me was the “Aquageddon” in 2007, he uses so little things that have meanings behind them that, the audience know what it is but cant find or evaluated the feeling toward the art. He himself claims the paintings were cathartic, which means it allowed him to overcome his East German upbringing. What interests me more about Norbert’s painting is that people miss the point of his work. Among of all people who can define his painting by just looking at it, he himself my mist looking at it at a different way. As most people refer to him as “the shooing stars” of German painting, I pictured it as in a different way. Though his artistic way makes him and his painting successful, he also has to be more and more active toward his painting, and giving them a deeper mean, though they have some fabulous meaning behind it. It was really interesting that you can read what is happening right now; in one’s everyday live through a painting. Not only is his work is powerful but they have inspired people from every other places.
Wednesday, May 13, 2009
norbert Bisky
Norbert Bisky
Norbert Bisky, born in 1970 knowing for “Art” of the world, he started to present his painting as propaganda pieces. In 1998 Bisky started his study as a student of German from Georg Baselitz. His selection exhibits from Leo Koening intuition in New York in 2004. Also in 2003 there was Gabriel Michael Schutz, Berlin, Galerie Voss- selected museums and where most of his collection took places. (Koening par.1)
Bisky’s images have a delicate dramatic to them. His knowledge brings him to the part that he has to introduce his work in a way that, himself could bring out some of his life story, and could also remember why he has drawn certain image for (Steinruecke, par1). Some people have a fear against Bisky’s work, because of the awkwardness of his paintings. Asking by Karin Wright “were you learning technique and artist needs technique”, (Steinruecke, par2) He has said that nothing like that occurs among the other things that have inspired him most, because he has come from a world where things have to go as they are being told too. Bisky select certain paintings, sometime after he has done a certain kind of painting and he look at it and don’t get the vibe that he wanted to feel, or if he sees that no one will have no meaning to toward the point of his painting, he just throws it away and begin a new piece.(Lithuania par1)
Bisky grows up thinking, and imagine of happy people and religious promises, which to him promised if he work hard and stay focus on these happy thoughts at some point he will reach paradise. By painting he uses those imaginations and brings it out to show a great creativeness through his paintings. Norbert Bisky’ work as a whole signifies a “diversity of unclear memories or expectation.” (Lithuania par2) His painting’s tells unbelievable story that are so vivid. He uses his painting to attract people from every ethnic group (Steinruecke, par1). His painting’s are like earth as a whole, you know that you’re in it, but you don’t know what is to be said in order for it to come to it’s view that can be arrange to overcome whatever is there is to be. A particular painting that have so and way many diverse to it, and which also inspired me was the “Aquageddon” in 2007, Bisky uses little things that have meanings behind them that, the audience knows what it is but can’t find or evaluated the feeling toward the art. He himself claims the paintings were cathartic, which means it allowed him to overcome his East German upbringing. What interests me about Norbert’s painting is that people miss the point of his work. Among of all people who can define his painting by just looking at it, he himself misses looking at it at a different way. As most people refer to him as “the shooing stars” of German painting, (Bernard par.3) I pictured it as in a different way.
Though his artistic way makes him and his painting such a successful painter, as well as the Aquageddon, he brings a whole new meaning to how one eye could describe such a powerful painting. The Baroque is one of my favorite paintings of Bisk, because it has a similarity view of things that are in contact of its surrounding. Not only has painting have different way of looking at it and getting the whole point of it ever being created, but it brings a whole diversity in it which, most people will appreciate while looking at it the way I do, or by their own imagination. Bisky’s works have inspired people from different race but he has eventually put a new meaning on how to look at a painting.
His paintings
His paintings reflect people around the world that has different ethnic groups. The number one image that Norbert Bisky was draws that you really look at it, and will notice that there is an ocean that the color oily bleu created and the grass color that seems to be floating along with the deep bleu clearly ocean is the aquageddon it seems to reminds people of the earth if you can imagine it. The earth color consume as an bleu and greenish color which represent water and land that seems to be on the same boat floating side by side.
The bleu seems to me like it is to be associated with girls that are pure. Not in some different since but it also makes the painting seems peaceful, calming. The slash of the bleu altogether then changes the whole picture into a depression. Bringing the green next to the bleu vanish all the sadness it shows jealousy, something that is not lucky in a way that is complicated, it show how much growing that the artist as indented to have having to do something that is beyond what you could ever think of. Beside that he brings out a house that is made out of gray splash of mix with white and inside the window you see some kind of green that is more different from the on that is together with the oily bleu, and yet so similar. The house come out of no where from my point of view that the green that is inside comes from the way that the gray which is a mixture of black and white which represent sorrow outer space that trap all the goods and strength all inside. It as though I could say that people are like the green that is inside the house, they are stuck/surrounded by all the sorrow in their life that they don’t even notice the dash of red that seems to be balancing out of nowhere, and yet you see so many of them.
As anyone who could have read the bible would know that is says that when it will comes to the end of the earth people will now know anything because they will be so blind by sins that they would not have enough time to correct their mistake. Taking the guys that looks like they were going to have sexual relation, looking down you could see like there is a big bleu ocean that is surrounding them but they look like they are too busy taking care of themselves that they don’t know nothing about their surrounding. By moving down toward the bottom of the painting there is a man that is being like the stainable man that could be like the one that could take care of everything. It looks likes people are dying, looks like a big movement are happening. The house looks so crush down, about to fall down. A guy is standing on top of the house, without anything on. The guy is completely naked, without anything but a hose with fire coming out of it. But looking down at the house it is as though the hose is melting instead of fire, it looks like the house is being melting or the house that looks like fire in returns turns out to be water that washes all the colors away from the house. And it is to be left dull, boring without life. The slash or red that is being provide as so little in this image represent to be as happiness that needs to be found that couldn’t be found in the or is lost that haven’t been needed. It kind of has something to do something with the man the picture. The way Bisky puts it like it’s suggesting that men have an urged to create a bond with own his life and of those who created it. By mixing the white trace and also the little amount of white it represents uniforms. Noticing Bisky’s work comes from little things that bring a whole new meaning in art he himself probably has no clue.
In other words that would describe the way that Bisky put up with the way that his paintings comes throughout on how great or not so great that he had put up with wanted to succeed in everything that he was, or wanted to do. Looking at how rally that he use the portrait of women’s in his work, (coming form an article) he has made a point that “every time I draw a women they ended up looking like a man.” In every artist work there are to be some do’s and some don’ts because if as a artist you are trying to catch an audience attention then by doing so you will need to see what is outside the world.
Norbert Bisky, born in 1970 knowing for “Art” of the world, he started to present his painting as propaganda pieces. In 1998 Bisky started his study as a student of German from Georg Baselitz. His selection exhibits from Leo Koening intuition in New York in 2004. Also in 2003 there was Gabriel Michael Schutz, Berlin, Galerie Voss- selected museums and where most of his collection took places. (Koening par.1)
Bisky’s images have a delicate dramatic to them. His knowledge brings him to the part that he has to introduce his work in a way that, himself could bring out some of his life story, and could also remember why he has drawn certain image for (Steinruecke, par1). Some people have a fear against Bisky’s work, because of the awkwardness of his paintings. Asking by Karin Wright “were you learning technique and artist needs technique”, (Steinruecke, par2) He has said that nothing like that occurs among the other things that have inspired him most, because he has come from a world where things have to go as they are being told too. Bisky select certain paintings, sometime after he has done a certain kind of painting and he look at it and don’t get the vibe that he wanted to feel, or if he sees that no one will have no meaning to toward the point of his painting, he just throws it away and begin a new piece.(Lithuania par1)
Bisky grows up thinking, and imagine of happy people and religious promises, which to him promised if he work hard and stay focus on these happy thoughts at some point he will reach paradise. By painting he uses those imaginations and brings it out to show a great creativeness through his paintings. Norbert Bisky’ work as a whole signifies a “diversity of unclear memories or expectation.” (Lithuania par2) His painting’s tells unbelievable story that are so vivid. He uses his painting to attract people from every ethnic group (Steinruecke, par1). His painting’s are like earth as a whole, you know that you’re in it, but you don’t know what is to be said in order for it to come to it’s view that can be arrange to overcome whatever is there is to be. A particular painting that have so and way many diverse to it, and which also inspired me was the “Aquageddon” in 2007, Bisky uses little things that have meanings behind them that, the audience knows what it is but can’t find or evaluated the feeling toward the art. He himself claims the paintings were cathartic, which means it allowed him to overcome his East German upbringing. What interests me about Norbert’s painting is that people miss the point of his work. Among of all people who can define his painting by just looking at it, he himself misses looking at it at a different way. As most people refer to him as “the shooing stars” of German painting, (Bernard par.3) I pictured it as in a different way.
Though his artistic way makes him and his painting such a successful painter, as well as the Aquageddon, he brings a whole new meaning to how one eye could describe such a powerful painting. The Baroque is one of my favorite paintings of Bisk, because it has a similarity view of things that are in contact of its surrounding. Not only has painting have different way of looking at it and getting the whole point of it ever being created, but it brings a whole diversity in it which, most people will appreciate while looking at it the way I do, or by their own imagination. Bisky’s works have inspired people from different race but he has eventually put a new meaning on how to look at a painting.
His paintings
His paintings reflect people around the world that has different ethnic groups. The number one image that Norbert Bisky was draws that you really look at it, and will notice that there is an ocean that the color oily bleu created and the grass color that seems to be floating along with the deep bleu clearly ocean is the aquageddon it seems to reminds people of the earth if you can imagine it. The earth color consume as an bleu and greenish color which represent water and land that seems to be on the same boat floating side by side.
The bleu seems to me like it is to be associated with girls that are pure. Not in some different since but it also makes the painting seems peaceful, calming. The slash of the bleu altogether then changes the whole picture into a depression. Bringing the green next to the bleu vanish all the sadness it shows jealousy, something that is not lucky in a way that is complicated, it show how much growing that the artist as indented to have having to do something that is beyond what you could ever think of. Beside that he brings out a house that is made out of gray splash of mix with white and inside the window you see some kind of green that is more different from the on that is together with the oily bleu, and yet so similar. The house come out of no where from my point of view that the green that is inside comes from the way that the gray which is a mixture of black and white which represent sorrow outer space that trap all the goods and strength all inside. It as though I could say that people are like the green that is inside the house, they are stuck/surrounded by all the sorrow in their life that they don’t even notice the dash of red that seems to be balancing out of nowhere, and yet you see so many of them.
As anyone who could have read the bible would know that is says that when it will comes to the end of the earth people will now know anything because they will be so blind by sins that they would not have enough time to correct their mistake. Taking the guys that looks like they were going to have sexual relation, looking down you could see like there is a big bleu ocean that is surrounding them but they look like they are too busy taking care of themselves that they don’t know nothing about their surrounding. By moving down toward the bottom of the painting there is a man that is being like the stainable man that could be like the one that could take care of everything. It looks likes people are dying, looks like a big movement are happening. The house looks so crush down, about to fall down. A guy is standing on top of the house, without anything on. The guy is completely naked, without anything but a hose with fire coming out of it. But looking down at the house it is as though the hose is melting instead of fire, it looks like the house is being melting or the house that looks like fire in returns turns out to be water that washes all the colors away from the house. And it is to be left dull, boring without life. The slash or red that is being provide as so little in this image represent to be as happiness that needs to be found that couldn’t be found in the or is lost that haven’t been needed. It kind of has something to do something with the man the picture. The way Bisky puts it like it’s suggesting that men have an urged to create a bond with own his life and of those who created it. By mixing the white trace and also the little amount of white it represents uniforms. Noticing Bisky’s work comes from little things that bring a whole new meaning in art he himself probably has no clue.
In other words that would describe the way that Bisky put up with the way that his paintings comes throughout on how great or not so great that he had put up with wanted to succeed in everything that he was, or wanted to do. Looking at how rally that he use the portrait of women’s in his work, (coming form an article) he has made a point that “every time I draw a women they ended up looking like a man.” In every artist work there are to be some do’s and some don’ts because if as a artist you are trying to catch an audience attention then by doing so you will need to see what is outside the world.
Annotated Bibliography
Bernard, Stuart. “Memories of socialist Realism” having a conference with most of the “in America”
http://en.wikipedia.org/wiki/norbert_Bisky
From the MA magazine, it prompts the fact on Bisky rough childhood moments.
Bernard, Stuart. “Artus” p.1 youthful inhabitants really love themselves to the point of devouring each other http://www.gosee.de/news/events/norbert-bisky-ich-war-snicht
The article in Artus point out the difference the between Bisky painting and the kind of project to connect the dots the he’s informing everyone about.
----- “Artus” “meaningless, everything is meaning less” http://www.gosee.de/news/events/norbert-bisky-ich-war-snicht
Question that is being asked is, what it is about being tackled and why had he created such tackle pictures that interfered with the fact that Bisky is exaggerated.
------ “Artus”, “young scalawag gets attacks by a tiny track-and field team, the sky filled with blazing toy planes.” http://artnet,de/artist/92s+Wrong+with+Me.html
Getting information how Bisky’s imagination comes through him, and how he supports them.
----- “Real places are exposing illusion” Artus magazine http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Bisky and Stuart confirmed, and pointing out illusion from Bisky’s mood of paintings.
Koening, Leo. “childhood memories” under GDR Leo
http://www.norbert-biisly.com/works/painting.htmllives
Leo Koening questions Bisky about his ways that he could own or created realism, looking at his best work that a painter.
Koening, Leo. “Figures” under GDR
http://en.wikipedia.org/wiki/norbert_Bisky
Under GDR, Leo Koening eventually know the fact that most of the thing could be in one’s own personal believing.
Lithuania, Vilnius. “…. a world where everybody wants to control you” MA magazines
http://lexikon.meyers.de/wissen/norbert+Bisky
Having a one on one time with Vilnius Lithuania confirming the new ways of that Norbert controls his paintings with such care.
Lithuania, Vilnius. “Creating real place” MA magazine 2007
http://lexikon.meyers.de/wissen/norbert+Bisky
Base on the fact provided by Lithuania Bisky wanted to create a painting that will shows not emptiness but a painting that could transform into something else.
Steinruecke. “This reflects the culture conflict.” December, timour
http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Through an old magazine, describing one of Norbert Bisky paintings as a culture clashing that surrounded the environment.
Steinruecke, “attraction to Baroque Ecstasy, in terms of his charged relationship to the body as a site both scared and profane”
http://lexikon.meyers.de/wissen/norbert+Bisky
Coming from an article Steinruecke tries to give term to Bisky among other artist works to his, and the comparison.
Steinruecke, p.5 “Bisky dark side of body parts and trainers”
http://www.theartist.org/artistsblog/posts/st_content_001.cfm
Featuring mostly man in his work, Bisky explains the situation or the reason there are mostly mans and not women about his paintings.
http://en.wikipedia.org/wiki/norbert_Bisky
From the MA magazine, it prompts the fact on Bisky rough childhood moments.
Bernard, Stuart. “Artus” p.1 youthful inhabitants really love themselves to the point of devouring each other http://www.gosee.de/news/events/norbert-bisky-ich-war-snicht
The article in Artus point out the difference the between Bisky painting and the kind of project to connect the dots the he’s informing everyone about.
----- “Artus” “meaningless, everything is meaning less” http://www.gosee.de/news/events/norbert-bisky-ich-war-snicht
Question that is being asked is, what it is about being tackled and why had he created such tackle pictures that interfered with the fact that Bisky is exaggerated.
------ “Artus”, “young scalawag gets attacks by a tiny track-and field team, the sky filled with blazing toy planes.” http://artnet,de/artist/92s+Wrong+with+Me.html
Getting information how Bisky’s imagination comes through him, and how he supports them.
----- “Real places are exposing illusion” Artus magazine http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Bisky and Stuart confirmed, and pointing out illusion from Bisky’s mood of paintings.
Koening, Leo. “childhood memories” under GDR Leo
http://www.norbert-biisly.com/works/painting.htmllives
Leo Koening questions Bisky about his ways that he could own or created realism, looking at his best work that a painter.
Koening, Leo. “Figures” under GDR
http://en.wikipedia.org/wiki/norbert_Bisky
Under GDR, Leo Koening eventually know the fact that most of the thing could be in one’s own personal believing.
Lithuania, Vilnius. “…. a world where everybody wants to control you” MA magazines
http://lexikon.meyers.de/wissen/norbert+Bisky
Having a one on one time with Vilnius Lithuania confirming the new ways of that Norbert controls his paintings with such care.
Lithuania, Vilnius. “Creating real place” MA magazine 2007
http://lexikon.meyers.de/wissen/norbert+Bisky
Base on the fact provided by Lithuania Bisky wanted to create a painting that will shows not emptiness but a painting that could transform into something else.
Steinruecke. “This reflects the culture conflict.” December, timour
http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Through an old magazine, describing one of Norbert Bisky paintings as a culture clashing that surrounded the environment.
Steinruecke, “attraction to Baroque Ecstasy, in terms of his charged relationship to the body as a site both scared and profane”
http://lexikon.meyers.de/wissen/norbert+Bisky
Coming from an article Steinruecke tries to give term to Bisky among other artist works to his, and the comparison.
Steinruecke, p.5 “Bisky dark side of body parts and trainers”
http://www.theartist.org/artistsblog/posts/st_content_001.cfm
Featuring mostly man in his work, Bisky explains the situation or the reason there are mostly mans and not women about his paintings.
work consulted
Work Consulted
Bernard “Artus”, “young scalawag gets attacks by a tiny track-and field team, the sky filled with blazing toy planes.” http://artnet,de/artist/92s+Wrong+with+Me.html
Getting information how Bisky’s imagination comes through him, and how he supports them.
----- “Real places are exposing illusion” Artus magazine http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Bisky and Stuart confirmed, and pointing out illusion from Bisky’s mood of paintings.
Koening, Leo. “Figures” under GDR
http://en.wikipedia.org/wiki/norbert_Bisky
Under GDR, Leo Koening eventually know the fact that most of the thing could be in one’s own personal believing.
Lithuania, Vilnius. “…. a world where everybody wants to control you” MA magazines
http://lexikon.meyers.de/wissen/norbert+Bisky
Having a one on one time with Vilnius Lithuania confirming the new ways of that Norbert controls his paintings with such care.
Steinruecke. “This reflects the culture conflict.” December, timour
http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Through an old magazine, describing one of Norbert Bisky paintings as a culture clashing that surrounded the environment.
Steinruecke, “attraction to Baroque Ecstasy, in terms of his charged relationship to the body as a site both scared and profane”
http://lexikon.meyers.de/wissen/norbert+Bisky
Coming from an article Steinruecke tries to give term to Bisky among other artist works to his, and the comparison.
Bernard “Artus”, “young scalawag gets attacks by a tiny track-and field team, the sky filled with blazing toy planes.” http://artnet,de/artist/92s+Wrong+with+Me.html
Getting information how Bisky’s imagination comes through him, and how he supports them.
----- “Real places are exposing illusion” Artus magazine http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Bisky and Stuart confirmed, and pointing out illusion from Bisky’s mood of paintings.
Koening, Leo. “Figures” under GDR
http://en.wikipedia.org/wiki/norbert_Bisky
Under GDR, Leo Koening eventually know the fact that most of the thing could be in one’s own personal believing.
Lithuania, Vilnius. “…. a world where everybody wants to control you” MA magazines
http://lexikon.meyers.de/wissen/norbert+Bisky
Having a one on one time with Vilnius Lithuania confirming the new ways of that Norbert controls his paintings with such care.
Steinruecke. “This reflects the culture conflict.” December, timour
http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Through an old magazine, describing one of Norbert Bisky paintings as a culture clashing that surrounded the environment.
Steinruecke, “attraction to Baroque Ecstasy, in terms of his charged relationship to the body as a site both scared and profane”
http://lexikon.meyers.de/wissen/norbert+Bisky
Coming from an article Steinruecke tries to give term to Bisky among other artist works to his, and the comparison.
work cited
Bernard, Stuart. “Memories of socialist Realism” having a conference with most of the “in America”
http://en.wikipedia.org/wiki/norbert_Bisky
From the MA magazine, it prompts the fact on Bisky rough childhood moments.
Steinruecke. “This reflects the culture conflict.” December, timour
http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Through an old magazine, describing one of Norbert Bisky paintings as a culture clashing that surrounded the environment.
Lithuania, Vilnius. “Creating real place” MA magazine 2007
http://lexikon.meyers.de/wissen/norbert+Bisky
Base on the fact provided by Lithuania Bisky wanted to create a painting that will shows not emptiness but a painting that could transform into something else.
Koening, Leo. “Childhood memories” under GDR Leo
http://www.norbert-biisly.com/works/painting.htmllives
Leo Koening questions Bisky about his ways that he could own or created realism, looking at his best work that a painter.
http://en.wikipedia.org/wiki/norbert_Bisky
From the MA magazine, it prompts the fact on Bisky rough childhood moments.
Steinruecke. “This reflects the culture conflict.” December, timour
http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me
Through an old magazine, describing one of Norbert Bisky paintings as a culture clashing that surrounded the environment.
Lithuania, Vilnius. “Creating real place” MA magazine 2007
http://lexikon.meyers.de/wissen/norbert+Bisky
Base on the fact provided by Lithuania Bisky wanted to create a painting that will shows not emptiness but a painting that could transform into something else.
Koening, Leo. “Childhood memories” under GDR Leo
http://www.norbert-biisly.com/works/painting.htmllives
Leo Koening questions Bisky about his ways that he could own or created realism, looking at his best work that a painter.
12cited source
12 cited source
MA,
· Steinruecke, December 2007, “his paintings reflect the cultural conflict”
I like this quote people it what I would also say about his painting.
Pg3
· Bisky’s attraction to Baroque ecstasy, especially in terms of his charged relationship to the body as a site both sacred and profane.
Pg. 3
· “Bisky also shows the dark sideof a youth culture drowing in a consumeris nightmare: cannibals feast on body parts and trainers, young men urinate, have sex with each other, get drunk and ransack.”
Pg.5
Stuart Bernard “artus”
· Youthful inhabitants really love themselves to the point of devouring each other
2007 page 1
I like this phrase it really show the artwork without even seeing it.
Stuart Bernard “artus”
· They nonetheless seem too invested or overcompensated to body tackle.
2007 page
What does it have to do with the body being tackle?
Stuart Bernard “artus”
· Young scalawag gets attacks by a tiny track-and-field team, the sky filled with blazing toy planes. 2007 page 1
Vilnius LITHUANIA
· I come from a world where everybody wants to control you
November 17, 2006 - January 7, 2007
I kind of understand where it is he’s coming from
Vilnius LITHUANIA
· One need to create a real place as well arranged as ours
Page 2 November 17, 2006 - January 7, 2007
Creating a place that will have all of your asset and being called your is what most people wants
Stuart Bernard
· Real space are expose illusion
Page87-80 “total care”
Exposing a real space shouldn’t have to be an illusion if it is being used.
Stuart Bernard
“Art in America”
· Threads such memories through the needle of Socialist Realism 2004 pg1
What does memories have to do with realism?
Leo koening
· Draw on his memories of a childhood under GDR rule.
2004 p. 1
His art appeals to be with his best work of art surrounds it toward the possibility of a painter
Leo koening
· He rarely paints female figures and when he does they look boyish
2004 p2that explain his lack of girl character in his painting’s
Berlineda Pierre
Mr. Gallagher
Period 6
February 26, 2009
Norbert Bisky’ work as a whole signifies a diversity of unclear memories or expectation. His painting’s tells unbelievable story that are so vivid. He uses his painting to attract people from every ethnic group. His painting’s are like earth as a whole, you know that you’re in it, but you don’t know what is to be said in order for it to come to it’s view that can be arrange to overcome whatever is there is to be. One particular painting that have so and way many diverse to it, and which also inspired me was the “Aquageddon” in 2007, he uses so little things that have meanings behind them that, the audience knows what it is but can’t find or evaluated the feeling toward the art. He himself claims the paintings were cathartic, which means it allowed him to overcome his East German upbringing. What interests me more about Norbert’s painting is that people miss the point of his work. Among of all people who can define his painting by just looking at it, he himself my mist looking at it at a different way. As most people refer to him as “the shooing stars” of German painting, I pictured it as in a different way. Though his artistic way makes him and his painting successful, he also has to be more and more active toward his painting, and giving them a deeper mean, though they have some fabulous meaning behind it. It was really interesting that you can read what is happening right now, in one’s everyday live through a painting. Not only is his work is powerful but they have inspired people from every other places.
When developing a thesis, think of big questions: How do these paintings explain a perception of the universe? How is the artist’s own life or philosophy portrayed in the paintings? How does the artist ask his or her audience to view the paintings (or the universe)?
12 cited
MA,
· Steinruecke, December 2007, “his paintings reflect the cultural conflict”
I like this quote people it what I would also say about his painting.
Pg3
· Bisky’s attraction to Baroque ecstasy, especially in terms of his charged relationship to the body as a site both sacred and profane.
Pg. 3
· “Bisky also shows the dark sideof a youth culture drowing in a consumeris nightmare: cannibals feast on body parts and trainers, young men urinate, have sex with each other, get drunk and ransack.”
Pg.5
Stuart Bernard “artus”
· Youthful inhabitants really love themselves to the point of devouring each other
2007 page 1
I like this phrase it really show the artwork without even seeing it.
Stuart Bernard “artus”
· They nonetheless seem too invested or overcompensated to body tackle.
2007 page
What does it have to do with the body being tackle?
Stuart Bernard “artus”
· Young scalawag gets attacks by a tiny track-and-field team, the sky filled with blazing toy planes. 2007 page 1
Vilnius LITHUANIA
· I come from a world where everybody wants to control you
November 17, 2006 - January 7, 2007
I kind of understand where it is he’s coming from
Vilnius LITHUANIA
· One need to create a real place as well arranged as ours
Page 2 November 17, 2006 - January 7, 2007
Creating a place that will have all of your asset and being called your is what most people wants
Stuart Bernard
· Real space are expose illusion
Page87-80 “total care”
Exposing a real space shouldn’t have to be an illusion if it is being used.
Stuart Bernard
“Art in America”
· Threads such memories through the needle of Socialist Realism 2004 pg1
What does memories have to do with realism?
Leo koening
· Draw on his memories of a childhood under GDR rule.
2004 p. 1
His art appeals to be with his best work of art surrounds it toward the possibility of a painter
Leo koening
· He rarely paints female figures and when he does they look boyish
2004 p2that explain his lack of girl character in his painting’s
MA,
· Steinruecke, December 2007, “his paintings reflect the cultural conflict”
I like this quote people it what I would also say about his painting.
Pg3
· Bisky’s attraction to Baroque ecstasy, especially in terms of his charged relationship to the body as a site both sacred and profane.
Pg. 3
· “Bisky also shows the dark sideof a youth culture drowing in a consumeris nightmare: cannibals feast on body parts and trainers, young men urinate, have sex with each other, get drunk and ransack.”
Pg.5
Stuart Bernard “artus”
· Youthful inhabitants really love themselves to the point of devouring each other
2007 page 1
I like this phrase it really show the artwork without even seeing it.
Stuart Bernard “artus”
· They nonetheless seem too invested or overcompensated to body tackle.
2007 page
What does it have to do with the body being tackle?
Stuart Bernard “artus”
· Young scalawag gets attacks by a tiny track-and-field team, the sky filled with blazing toy planes. 2007 page 1
Vilnius LITHUANIA
· I come from a world where everybody wants to control you
November 17, 2006 - January 7, 2007
I kind of understand where it is he’s coming from
Vilnius LITHUANIA
· One need to create a real place as well arranged as ours
Page 2 November 17, 2006 - January 7, 2007
Creating a place that will have all of your asset and being called your is what most people wants
Stuart Bernard
· Real space are expose illusion
Page87-80 “total care”
Exposing a real space shouldn’t have to be an illusion if it is being used.
Stuart Bernard
“Art in America”
· Threads such memories through the needle of Socialist Realism 2004 pg1
What does memories have to do with realism?
Leo koening
· Draw on his memories of a childhood under GDR rule.
2004 p. 1
His art appeals to be with his best work of art surrounds it toward the possibility of a painter
Leo koening
· He rarely paints female figures and when he does they look boyish
2004 p2that explain his lack of girl character in his painting’s
Berlineda Pierre
Mr. Gallagher
Period 6
February 26, 2009
Norbert Bisky’ work as a whole signifies a diversity of unclear memories or expectation. His painting’s tells unbelievable story that are so vivid. He uses his painting to attract people from every ethnic group. His painting’s are like earth as a whole, you know that you’re in it, but you don’t know what is to be said in order for it to come to it’s view that can be arrange to overcome whatever is there is to be. One particular painting that have so and way many diverse to it, and which also inspired me was the “Aquageddon” in 2007, he uses so little things that have meanings behind them that, the audience knows what it is but can’t find or evaluated the feeling toward the art. He himself claims the paintings were cathartic, which means it allowed him to overcome his East German upbringing. What interests me more about Norbert’s painting is that people miss the point of his work. Among of all people who can define his painting by just looking at it, he himself my mist looking at it at a different way. As most people refer to him as “the shooing stars” of German painting, I pictured it as in a different way. Though his artistic way makes him and his painting successful, he also has to be more and more active toward his painting, and giving them a deeper mean, though they have some fabulous meaning behind it. It was really interesting that you can read what is happening right now, in one’s everyday live through a painting. Not only is his work is powerful but they have inspired people from every other places.
When developing a thesis, think of big questions: How do these paintings explain a perception of the universe? How is the artist’s own life or philosophy portrayed in the paintings? How does the artist ask his or her audience to view the paintings (or the universe)?
12 cited
MA,
· Steinruecke, December 2007, “his paintings reflect the cultural conflict”
I like this quote people it what I would also say about his painting.
Pg3
· Bisky’s attraction to Baroque ecstasy, especially in terms of his charged relationship to the body as a site both sacred and profane.
Pg. 3
· “Bisky also shows the dark sideof a youth culture drowing in a consumeris nightmare: cannibals feast on body parts and trainers, young men urinate, have sex with each other, get drunk and ransack.”
Pg.5
Stuart Bernard “artus”
· Youthful inhabitants really love themselves to the point of devouring each other
2007 page 1
I like this phrase it really show the artwork without even seeing it.
Stuart Bernard “artus”
· They nonetheless seem too invested or overcompensated to body tackle.
2007 page
What does it have to do with the body being tackle?
Stuart Bernard “artus”
· Young scalawag gets attacks by a tiny track-and-field team, the sky filled with blazing toy planes. 2007 page 1
Vilnius LITHUANIA
· I come from a world where everybody wants to control you
November 17, 2006 - January 7, 2007
I kind of understand where it is he’s coming from
Vilnius LITHUANIA
· One need to create a real place as well arranged as ours
Page 2 November 17, 2006 - January 7, 2007
Creating a place that will have all of your asset and being called your is what most people wants
Stuart Bernard
· Real space are expose illusion
Page87-80 “total care”
Exposing a real space shouldn’t have to be an illusion if it is being used.
Stuart Bernard
“Art in America”
· Threads such memories through the needle of Socialist Realism 2004 pg1
What does memories have to do with realism?
Leo koening
· Draw on his memories of a childhood under GDR rule.
2004 p. 1
His art appeals to be with his best work of art surrounds it toward the possibility of a painter
Leo koening
· He rarely paints female figures and when he does they look boyish
2004 p2that explain his lack of girl character in his painting’s
Wednesday, May 6, 2009
hamlet
In Act 3 scenes 1 of Hamlet, writing by William Shakespeare, the deliverance of the line “to be or not to be” which is a question that is being ask from Hamlet to himself, has know for/and especially the most famous speech in literature. In speaking of this soliloquy, Hamlet wonders on how his life has started to shape and if he wants to continue living his life like this or whether he want his life to be over. But then in the rest of his soliloquy he has switch turns and asking himself of the unknowing, what death may hold for him. At this point of the play the author of the book Hamlet brings out a big step into the play that most reader won’t notice, and with that being said remembering that the title of this book isn’t “Hamlet” but it was mention at the beginning of the book that the title is “the tragedy of “Hamlet” prince of Denmark” by combining those two together it has officially tells us on how the process of Hamlet wanted to end his life is being played and what will happen next. Despite the know hardships of remaining alive, Hamlet’s decision doesn’t only makes him wondering what will happen after he’s gone, but also will makes his stepfather, and could-be father in law polonius a bit worried about him. In act 3 scene 1 line 176, the king, though speaking with a voice soft enough for Hamlet not to hear “his affections do not that way tend” which referrers to them thinking that Hamlet craziness over Polonius daughter isn’t what makes Hamlet speaking like that, that it must something else or that Hamlet is finally going crazy. Though at some point of the play it didn’t refers to Hamlet that the King and Polonius has being hiding and listening to all that he was saying, it makes it seems like he was being diverse about everything that he really was saying. Having to go the pains living with a betrayed father that has dishonor his late father, and to being put in a position of his family thinking that he might/become crazy, and his friends not acting the same way that they used to act, it seems that who he used to be has change and he was living someone else’s life. A general theme that is within the play seems to be "the power of the mind over the passions.” That is because Hamlet is the best of both mind and body - careful thought with swift execution. A better understanding of that would be on act 2 scene 2 with Polonius an Hamlet having some kind of conversation but all Hamlet is doing is ditching on Polonius and yet while he was saying weird words to Polonius, he was saying them with a way that kept secrets within in them, and Polonius noticing the secrets among them “though this be madness, yet there is method in’t.” By the time this part of the play comes, the thought of suicide does not exist for Hamlet. He's bent on revenge. "To be..." should be read, "to be conscious" or aware enough to succeed.Visualizing and hearing the tone of each and every one of the videos, it is seems that the second video by Alexander Fodor fits the play exquisitely. Having to know and understanding the starts of the play, even though in the second video, it shows a dead body and more people surrounding the dead body which was in attention. With that being said I still think that it is appropriate for the play, the dead body, the people around the body being kiss, and the guy making a tape of his soliloquy seems to be fitted well with the whole play. The reason for that is that in the first video show the character that is playing Hamlet standing at a mirror and asking himself question that just seems like thing he memorize from a play or something, and having a mirror in a situation like through the video off key because it officially make the play look blah and things look fake, the music didn’t go with what he was saying. Overall the actor look fake like what he was saying wasn’t deeply thought of and was sneaky about it. The sound the author uses was like a more dramatic sound brings the whole play to a different dimension. And if watching closely you will see that at exactly 2:44 when the character playing Hamlet was switching form his soliloquy to talking with Ophelia, in the play it make him seems more caring about her than in the video, in the video it make Ophelia look like she was disturbing him from something importing, with him posing before even talking to herThe other video by Laurence Olivier was out of the question on whether or not it could have an option to compare with Hamlet’ s style. From the start of the play with it being play next to a river, throws it off, the clothing that other uses to identify Hamlet view of craziness way, show it to but them it’s the way that the character playing Hamlet starts saying the line that makes it more disturbing to even wanted to watch it. Though in the second video that is being played that it skip the line “and by sleep say….” Most of the time you will find a disturbing to mess such a beautify soliloquy like Hamlet’s because of the character in the video 2 playing the role of Hamlet, handle the soliloquy so well that you don’t mind that there are a few words that aren’t suppose to be in place. The character shows deepness into the words that was offered to be act, and shows passion into the words. Even when the author switch ways to, making the camera zoom in so that we could see the deepness that the lines are being offered that most of them are really extravagant, I was watching the actors eyes while the sound of the words that was speaking track me into wanted to listening to that sadness, and questions that he was asking himself demanding himself to answers to. The music in the back ground brought in emotion that surrounds the fact that most people wanted something to catch their attention, and saying that getting the readers to understand the burning questions mark that and the whole soliloquy factor that still for most people leaves questions that need to be ask and more to be understanding, leave a choice to measuring the possibility of getting the vibe that is needed to surround the play entirely.
March 15, 2009 9:06 PM
March 15, 2009 9:06 PM
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