Annotated Bibliography

Bernard, Stuart. “Memories of socialist Realism” having a conference with most of the “in America”
http://en.wikipedia.org/wiki/norbert_Bisky

From the MA magazine, it prompts the fact on Bisky rough childhood moments.

Bernard, Stuart. “Artus” p.1 youthful inhabitants really love themselves to the point of devouring each other http://www.gosee.de/news/events/norbert-bisky-ich-war-snicht

The article in Artus point out the difference the between Bisky painting and the kind of project to connect the dots the he’s informing everyone about.

----- “Artus” “meaningless, everything is meaning less” http://www.gosee.de/news/events/norbert-bisky-ich-war-snicht

Question that is being asked is, what it is about being tackled and why had he created such tackle pictures that interfered with the fact that Bisky is exaggerated.

------ “Artus”, “young scalawag gets attacks by a tiny track-and field team, the sky filled with blazing toy planes.” http://artnet,de/artist/92s+Wrong+with+Me.html

Getting information how Bisky’s imagination comes through him, and how he supports them.

----- “Real places are exposing illusion” Artus magazine http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me

Bisky and Stuart confirmed, and pointing out illusion from Bisky’s mood of paintings.


Koening, Leo. “childhood memories” under GDR Leo
http://www.norbert-biisly.com/works/painting.htmllives

Leo Koening questions Bisky about his ways that he could own or created realism, looking at his best work that a painter.

Koening, Leo. “Figures” under GDR
http://en.wikipedia.org/wiki/norbert_Bisky

Under GDR, Leo Koening eventually know the fact that most of the thing could be in one’s own personal believing.

Lithuania, Vilnius. “…. a world where everybody wants to control you” MA magazines
http://lexikon.meyers.de/wissen/norbert+Bisky

Having a one on one time with Vilnius Lithuania confirming the new ways of that Norbert controls his paintings with such care.

Lithuania, Vilnius. “Creating real place” MA magazine 2007
http://lexikon.meyers.de/wissen/norbert+Bisky
Base on the fact provided by Lithuania Bisky wanted to create a painting that will shows not emptiness but a painting that could transform into something else.


Steinruecke. “This reflects the culture conflict.” December, timour
http://www.timeour.com/newyork/articles/arts/24921/nortbert-bisly-whats-wrong-with-me

Through an old magazine, describing one of Norbert Bisky paintings as a culture clashing that surrounded the environment.

Steinruecke, “attraction to Baroque Ecstasy, in terms of his charged relationship to the body as a site both scared and profane”
http://lexikon.meyers.de/wissen/norbert+Bisky

Coming from an article Steinruecke tries to give term to Bisky among other artist works to his, and the comparison.

Steinruecke, p.5 “Bisky dark side of body parts and trainers”

http://www.theartist.org/artistsblog/posts/st_content_001.cfm

Featuring mostly man in his work, Bisky explains the situation or the reason there are mostly mans and not women about his paintings.